([1])      James Clifford, Writing Culture: The Poetics and Politics of Writing Ethnography (London: University of California Press, 1986), p.9

([1])      Simon Malpas and Paul Wake, The Routledge Companion to Critical and Cultural Theory (Canada: Taylor and Francis, 2013), p.62

([1])      ibid

([1])      ibid

([1])      Catherine Gallagher and Stephen Greenblatt, Practicing New Historicism (Chicago: The University of Chicago Press, 2000), p.9

([1])      Pramod K. Nayar, Contemporary Literary and Cultural Theory: From Structuralism to Ecocriticism, (Delhi: Longman, 2010), p.30

([1])      ibid

([1])      Nazir Ahmad, The Bride’s Mirror, Translated by G.E Ward (New Delhi: Aleph Book Company, 2018) vii

([1])      Simon, Sherry, and Paul St-Pierre, eds. Changing the Terms: Translating in the Postcolonial Era. University of Ottawa Press, 2000

https://doi.org/10.2307/j.ctt1ckpcz7.

([1])      Nazir Ahmad, The Bride’s Mirror, (Trans.) G.E Ward (New Delhi: Aleph Book Company, 2018) xvii

([1])      Nazir Ahmad, The Bride’s Mirror, (Trans.) G.E Ward (New Delhi: Aleph Book Company, 2018), p.1

([1])      Elizabeth Langland, “Nobody’s Angels: Domestic Ideology and Middle-Class Women in the Victorian Novel”, PMLA 107 issue # 2 (1992), p.291

([1])      Nazir Ahmad, The Bride’s Mirror, Translated by G.E Ward (New Delhi: Aleph Book Company, 2018), p.13

([1])      ibid

([1])      Elizabeth Langland, “Nobody’s Angels: Domestic Ideology and Middle-Class Women in the Victorian Novel”, PMLA 107 issue # 2 (1992), p. 290-91

([1])      Nazir Ahmad, The Bride’s Mirror, Translated by G.E Ward (New Delhi: Aleph Book Company, 2018) x

([1])      ibid

([1])      Nazir Ahmad, The Bride’s Mirror, Translated by G.E Ward (New Delhi: Aleph Book Company, 2018) xvii

([1])      ibid, p.109

([1])      ibid

([1])      ibid, p.51

([1]) Leonore Davidoff and Catherine Hall, FAMILY FORTUNES: Men and Women of the English Middle Class 1780–1850, (London: Routledge, 2019), p.76-77

([1])      Elizabeth Langland, “Nobody’s Angels: Domestic Ideology and Middle-Class Women in the Victorian Novel”, PMLA 107 issue # 2 (1992) 290-91

([1])      Nazir Ahmad, The Bride’s Mirror, Translated by G.E Ward (New Delhi: Aleph Book Company, 2018) 105-6

([1])      Leonore Davidoff and Catherine Hall, FAMILY FORTUNES: Men and Women of the English Middle Class 1780–1850, (London: Routledge, 2019), p.195

([1])      Nazir Ahmad, The Bride’s Mirror, Translated by G.E Ward (New Delhi: Aleph Book Company, 2018), p.135

([1])      Leonore Davidoff and Catherine Hall, FAMILY FORTUNES: Men and Women of the English Middle Class 1780–1850, (London: Routledge, 2019), p.279-81

 

Bibliography

-          Ahmed, Nazir. The Bride’s Mirror: A Tale of Domestic Life in Delhi Forty Years Ago. Translated by G.E Ward. New Delhi: Aleph Book Company, 2018.

-          Clifford, James. Writing Culture: The Poetics and Politics of Writing Ethnography. London: University of California Press, 1986.

-          Davidoff, Leonore and Catherine Hall. Family Fortunes: Men and Women of the English Middle Class 1780-1850.  London: Routledge, 2019.

-          Gallagher, Catherine and Stephen Greenblatt.  Practicing New Historicism. Chicago: The University of Chicago Press, 2000.

-          Langland, Elizabeth. “Nobody’s Angels: Domestic Ideology and Middle-Class Women in the Victorian Novel.” PMLA, vol. 107, no. 2, Modern Language Association, 1992, pp. 290–304, https://doi.org/10.2307/462641

-          Malpas, Simon and Paul Wake.  The Routledge Companion to Critical and Cultural Theory Canada: Taylor and Francis, 2013.

-          Nayar, Pramod K. Contemporary Literary and Cultural Theory: From Structuralism to Ecocriticism. Delhi: Longman, 2010.

-          Pernau, Margrit. Ashraf Into Middle Classes: Muslims in Nineteenth-century Delhi. New Delhi: Oxford University Press, 2013.

-          Sherry, Simon and Paul St-Pierre, eds. Changing the Terms: Translating in the Postcolonial Era. University of Ottawa Press, 2000.

https://doi.org/10.2307/j.ctt1ckpcz7

 

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